2018
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Finding Room to Grow
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Changing Tides: Another Look at the New Orleans Art World
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The Future of Arts Criticism: Part 2
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The Future of Arts Criticism: Part 1
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A Dissonance of Parts and People: Publishing from the Provinces
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Seeing Is Believing: ISeeChange’s Vision for Environmentalism
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In the Slick of It: Art and the Oil Industry in New Orleans
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Tropical Mysticism: Cristina Molina’s “The Matriarchs”
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Heat and Leisure: Radamés “Juni” Figueroa’s Tropicalization of the Art World
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Stop and Smell the Hibiscus: On Laziness, Art, and the Utopia Imagined by Adler Guerrier
2017
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How Roni Horn Taught Me to Cruise on the Down Low
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Hélio Oiticica’s Underground Order
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“Asian Woman Architect”: Minnette de Silva’s Vision of Tropical Modernism
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Outside In: NOMA Acquires Ten Works from the Souls Grown Deep Foundation
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Meeting Eulalie
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On Monuments and Post-Monuments
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A Dual Role: Robyn LeRoy-Evans’ Artist Residency in Motherhood
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Back to Reality
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Get on Our Level: The Founding of Level Artist Collective
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Flipping the Script: Brent Houzenga Takes a New Approach
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American Myths: The Paintings of Celeste Dupuy-Spencer
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Every Drop of Blood: Healing Trauma Through Art
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A Reading of Grief
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Empathy and Authenticity: Corinne May Botz’s “Bedside Manner”
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Presence, Silence, Intimacy, Duration: Lygia Clark’s Relational Objects
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Tripwires
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Toward an Architecture of Healing
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Site, Specific: Dr. Charles Smith and the Archival Impulse
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Bringing Modern Architecture to New Orleans: The Legacy of Albert C. Ledner
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Dead Reckoning: The Waterways of Turner and Canaletto
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New Harmony High: A Floating School for the Gulf Coast
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A New Vision for Water: Building the Gentilly Resilience District
2016
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Keep It Dirty
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Future Landscapes: Syncopation in the Work of Xaviera Simmons
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Raging Fires, Rising Waters
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Rising Waters on the Gulf Coast: The Cartography of Robert Tannen
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The Axman’s Jazz: An Unsolved Mystery
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On Light, Falling: Virginia Woolf, Joaquín Sorolla, and Sally Mann
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Memorializing Slavery on Louisiana’s River Road: The Whitney Plantation
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Moving to New Orleans with Solange Knowles
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Grace Jones: Strong without Permission
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The Uncanny Effigy and Celebrity Identity: Laurie Simmons, Kanye West, and Taylor Swift
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The Transmission of Bodies: Howardena Pindell and the Moving Image
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Take Two: The World of Marisa Williamson
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On Conflagration: The Masks of Natalie Portman
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I Was Lindsay Lohan’s Last Fan
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Timely Tribute: The Rise and Fall of Opera’s Voices
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Two Divas: Picturing Maria Callas and Amy Winehouse
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’Cause I’m Real
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Holy Lands: Palestine Gardens in Mississippi
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Roommates Forever: Collective Housing on the Market
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Take it Slow: The Photography of Cate Colvin Sampson
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A Partial Guide to Camp: On Crossing the Border
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The Ongoing Colonization of New Orleans and Palestine
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Biennials on the International Stage
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Going Global: EXP and I’m Making a Boy Band
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That’s Not My Flag
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Tell Me I’m Your National Anthem
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Retching in the New Year
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In the Evening: Nights among Artists in Los Angeles
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Green Grapes, White Wine
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A Partial Guide to Camp: On The Eyes Of The Beholder
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Where Have All the Dyke Bars Gone?
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Confessions of a Venetian Mime on Bourbon Street
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Pacing Yourself
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Party Primaries: The Time of My Life
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The South Got Something to Say
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Behold, The Tailgate Party
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Energy Displacement: Remembering Dennis Oppenheim in New Orleans
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Images Open 24 Hrs
2015
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Recuperating Lost Land: Dennis Oppenheim at the New Orleans Museum of Art
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Going Viral: Losing Control and Your Job
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That Rococo Feeling: Joie de Vivre
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Reformation: Public Art and the Philadelphia School Closures
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The Space Between: Ken Lum and a Case of Mistaken Identity
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Monuments of Acknowledging
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We Got Our Own: Creating ARTS.BLACK
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Due Process: The Legacy of Sylvia Roberts at Tulane University
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On Circles: A Bildungsroman
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On Earthworks: The Journey to Marfa
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Eclectic Collecting: The Roswell Museum and Art Center’s Southwest
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Mormon No More
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Birds of America
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At the Table
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For the Cyborg in You: Hair as Medium, Hair as Technology
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Hair Today, Gone Tomorrow: On Baldness
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My Hair Without Me
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One Silver Fox
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Occam’s Razor: Tennessee Williams at the Ogden Museum of Southern Art
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For Copper Queens and Kings
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Passing Strange
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She's Mine
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Budding Advocates: Young Muralists at Isidore Newman School
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Olfactive Memory: The Locale of Scent
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On the Trail of Emil Frei: New Orleans’ Stained Glass
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Indecent Intentions: Street Harassment and Contemporary Art
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Stranger in a Strange Land: "The Horizon Tries" at Good Children Gallery
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On Jealousy: Call (Me) Your Boyfriend
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On the Water: Shrimp Boat Projects
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Increase the Peace: "Guns in the Hands of Artists" at Jonathan Ferrara Gallery
2014
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Through A Lens Darkly, Then and Now
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Where to Look: On Arts Writing in Shreveport
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30 Americans in New Orleans: Denise Frazier
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30 Americans in New Orleans: Infinity (Darel Joseph)
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Love Is All We Need: "Of Many Colors" at Antenna Gallery
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30 Americans in New Orleans: J.B. Borders
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Mapping New Orleans: The Broadsides of “Unfathomable City”
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30 Americans in New Orleans: Bryan C. Lee, Jr.
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30 Americans in New Orleans: Noni Clemens
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30 Americans in New Orleans: Gia Hamilton with Apsu, Isael, and Kush Amen
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Photographs of War: What Are They Good For?
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30 Americans in New Orleans: Howard Conyers, Deborah Anderson, and Jaime Wright
2013
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PhotoNOLA 2013
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Hand-in-Glove New Orleans
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Worth the Trip: Centre for the Living Arts in Mobile
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Cinema Reset
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Fungus Amongus: Mei-ling Hom, David McClelland, and Living Sculpture
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Apocalypse Now: Jacqueline Bishop
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Moloch on the Banks: AnnieLaurie Erickson and After-Imaging
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Civil Rights, Subtly: Grey Villet’s Photographs of the Loving Family
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Back to Basics: Daniel Alley and Jane Cassidy
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On (Un)Masking
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Vitus Shell: Slim Crowism
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Parse’s Moving Castle
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A Partial Guide to Camp: On the Loo
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Photoclines: Isabelle Hayeur’s Underworlds
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A Grotto: South Louisiana’s Inner Space
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Divine Inspiration: St. Roch's Residency for Artists
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Fashioning (Still) Lives
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Building a New New Orleans: Press Street and Antenna Gallery on St. Claude
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Advertising Alternatives: Dave Rhodes and EXPOSE
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Nothing Lasts Forever: Andy Behrle and “a year and one day”
2012
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On Being (In)Visible
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The Changing (He)art of New Orleans: Justice in Relief
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A Partial Guide to Camp: How To Get Dry Again
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Otherworld: The Dreamscapes of Myrtle von Damitz
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The Changing (He)art of New Orleans: A WPA Mural’s Second Life
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A Mantra for New Orleans: Beasts of the Southern Wild
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Systems and Consequences: Michel Varisco’s Gulf Coast
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A Contradiction in Terms: “Zen Dixie” in Atlanta
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The Changing (He)art of New Orleans: Murals & Murders
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Future Forward: A Document
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Suspending Reliefs: Teresa Cole at Whitespace Gallery
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Reflections: Roy Ferdinand
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As the Rooster Crows: Lafayette’s Freetown Studios
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Blessings, Beer & Purgatory: Chauvin’s Folk Art Festival & Blessing of the Fleet
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A Pumpkin Pencil for the Soul: The Video Art of Dave Greber
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Against the Elements: Roy Staab's Chaise Ile
2011
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Finding and Losing New Orleans
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The Art of the Environment: A Studio in the Woods
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This Is Supposed to Be Sexy, Right?: Nina Schwanse's Babe Rental
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Richard Thomas: By Any Means Necessary
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Artist on Artist: Aaron Collier on Rachel Jones
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How to Hang a Show in New Orleans
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Reflections: Lee Friedlander
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Anything but Decorative: Robert Gordy and Tina Girouard
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From Street Wall to Great Hall: A Perceptual Shift
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Whiz, Bang, Thud: Bob Tannen’s Balls
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The Artistry of Loujon Press: Triumphs and Shortcomings: Part 2
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Depths of Field: The Portraiture of Jonathan Traviesa
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The Artistry of Loujon Press: Triumphs and Shortcomings
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Absent Populations: Deborah Luster’s Tooth for an Eye
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Artist on Artist: Ron Bechet on Ed Clark
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Looking Back: Dawn DeDeaux
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Documentation and Ephemera: Five From Louisiana
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Lynda Benglis: Louisiana Avant-Garde, Louisiana Kitsch
All Art Review Articles