Sharing our stories. Each week, Pelican Bomb brings you exhibition reviews, great features, intelligent interviews, and more.
As part of our “Queer Tropics” editorial series, Kayl Parker talks to artist Aimée Beaubien about her foliage-filled installations made from cut-and-collaged photographs.
Ann Hackett contemplates the relationship between humankind and nature in Maria Berrio’s collages, recently on view as part of “Prospect.4: The Lotus in Spite of the Swamp.”
For our “Queer Tropics” editorial series, Ashley L. Voss looks back at last year’s exhibition at The Historic New Orleans Collection exploring New Orleans’ infamous red-light district.
Ann Hackett looks at two series of works by Pedro Lasch featured in Prospect.4 at the Contemporary Arts Center and at M.S. Rau antique shop.
Cameron Shaw speaks with Genevieve Gaignard about her recent Prospect.4 installation, which transformed two rooms at Ace Hotel New Orleans.
Logan Lockner looks at Radamés “Juni” Figueroa’s practice, which aims to “tropicalize” museums and galleries.
Just in time for Mardi Gras, Brooke Sauvage shares her new collection of Carnival-inspired clothing.
As part of our “Queer Tropics” editorial series, Brooke Schueller recalls Aqua Mob New Orleans’ water-ballet version of George Orwell’s classic dystopian novella, which premiered last fall.
Dance to an exclusive “Queer Tropics”-themed mix by Chicago-based artist and DJ CQQCHIFRUIT.
Rob Goyanes examines Adler Guerrier’s work, which explores the benefits of not working.