Sharing our stories. Each week, Pelican Bomb brings you exhibition reviews, great features, intelligent interviews, and more.
Brooke Schueller contemplates the appeal of abstraction through the lens of a group exhibition at the Newcomb Art Museum of Tulane University.
Tina Orlandini heads to the Art Garage for a performance by the Taco Truck Theater, organized by ArteFuturo Productions’ José Torres-Tama.
John Kissane looks at New Orleans-based artist Pippin Frisbie-Calder’s installation at ArtPrize, the monumental festival in Grand Rapids, Michigan.
Benjamin Morris writes about ten works that the New Orleans Museum of Art recently acquired from the Souls Grown Deep Foundation.
Marjorie Rawle visits Doyle Gertjejansen’s recent show at Callan Contemporary and considers how the mind makes sense of abstraction.
Fari Nzinga visits a recent show at the New Orleans Art Center that questions who is the predator and who is the prey in today’s America.
Taylor Murrow writes about Shawne Major’s mixed-media assemblages, currently on view at the Isaac Delgado Fine Arts Gallery.
Dillon Raborn reflects on the interconnectedness of three artists’ practices in a recent exhibition at The Front.
Artist and PARSE resident Casey Ruble gives a preview of her forthcoming documentary film, which is inspired by the story of Eulalie Mandeville.