Sharing our stories. Each week, Pelican Bomb brings you exhibition reviews, great features, intelligent interviews, and more.
Dillon Raborn visits an exhibition at the St. Tammany Art Association in Covington of works from the collection of the New Orleans Museum of Art.
Emily Nonko looks back at the career of architect Minnette de Silva, whose designs paved the way for what is now known as Tropical Modernism.
Charlie Tatum, our Editorial and Communications Manager, introduces Pelican Bomb’s latest exhibition and a corresponding series on the Art Review, which both explore conceptions of the tropics.
At the Ogden Museum of Southern Art, Benjamin Morris visits an exhibition that outlines a historical lineage of black artists.
Charlie Tatum considers how a recent performance at the Contemporary Arts Center celebrated the legacy of dancer and choreographer Trisha Brown.
Laurence Ross reflects on a recent photography exhibition at the Ogden Museum of Southern Art and considers individuals’ perceptions of color and place.
In a conversation commissioned for Field Perspectives 2017, Charlie Tatum talks with Andrea Andersson, Imani Jacqueline Brown, and L. Kasimu Harris about the difficulties, joys, and particularities of working in New Orleans.
Brooke Schueller contemplates the appeal of abstraction through the lens of a group exhibition at the Newcomb Art Museum of Tulane University.
Tina Orlandini heads to the Art Garage for a performance by the Taco Truck Theater, organized by ArteFuturo Productions’ José Torres-Tama.
John Kissane looks at New Orleans-based artist Pippin Frisbie-Calder’s installation at ArtPrize, the monumental festival in Grand Rapids, Michigan.