2017

• How Roni Horn Taught Me to Cruise on the Down Low
  December 22, 2017 · Matt Morris
• Exhibition Pick: “Sin Título”
  December 21, 2017 · Shauna Werner
• Hélio Oiticica’s Underground Order
  December 20, 2017 · Adrian Anagnost
• Coverage of “Prospect.4: The Lotus in Spite of the Swamp”
  December 13, 2017 · Staff
• Exhibition Pick: “Self/Reflection”
  December 1, 2017 · Dillon Raborn
• “Asian Woman Architect”: Minnette de Silva’s Vision of Tropical Modernism
  November 29, 2017 · Emily Nonko
• Editor’s Note: “Queer Tropics”
  November 27, 2017 · Charlie Tatum
• Shadow Histories: “Solidary & Solitary” at the Ogden Museum of Southern Art
  November 21, 2017 · Benjamin Morris
• Body Talk: Trisha Brown Dance Company at the Contemporary Arts Center
  November 13, 2017 · Charlie Tatum
• Personal Realism: Toward the Blue Peninsula
  October 30, 2017 · Laurence Ross
• The Power of Place: A Conversation on Living and Working in New Orleans
  October 19, 2017 · Charlie Tatum
• State of the Abstract: “Unfamiliar Again” at the Newcomb Art Museum
  October 13, 2017 · Brooke Sauvage
• A Future Without Borders: ArteFuturo Productions’ Taco Truck Theater
  October 12, 2017 · Tina Orlandini
• Now They’re Gone: Pippin Frisbie-Calder at ArtPrize Nine
  October 9, 2017 · John Kissane
• Outside In: NOMA Acquires Ten Works from the Souls Grown Deep Foundation
  October 4, 2017 · Benjamin Morris
• Seeing Things: Doyle Gertjejansen at Callan Contemporary
  September 25, 2017 · Marjorie Rawle
• Serious Times: “Alien vs. Predator” at the New Orleans Art Center
  September 20, 2017 · Fari Nzinga
• Major Side-Eye: Shawne Major at the Isaac Delgado Fine Arts Gallery
  September 19, 2017 · Taylor Murrow
• Alchemy and Art: “Rare Earth” at The Front
  September 7, 2017 · Dillon Raborn
• Meeting Eulalie
  August 28, 2017 · Casey Ruble
• Where They At: Polo Silk at Antenna
  August 25, 2017 · Fari Nzinga
• On Monuments and Post-Monuments
  August 23, 2017 · Allison M. Glenn
• Historical Fiction: David Knox at Cole Pratt Gallery
  August 21, 2017 · Dillon Raborn
• A Dual Role: Robyn LeRoy-Evans’ Artist Residency in Motherhood
  August 15, 2017 · Ashley L. Voss
• On Full Existence: William Eggleston at the Ogden Museum of Southern Art
  August 5, 2017 · Laurence Ross
• Defining Difference: Hank Willis Thomas at the SCAD Museum of Art
  August 1, 2017 · Dana Kopel
• The Black Market: Kevin Brisco Jr. at Good Children Gallery
  July 28, 2017 · Imani Jacqueline Brown
• Stoic and Heroic: The Amistad Research Center Celebrates Jacob Lawrence
  July 26, 2017 · Denise Frazier
• A Woman’s Worth: “HERstory” at Stella Jones Gallery
  July 25, 2017 · Fari Nzinga
• Measuring the Infinite: Adrianna Speer at the Firehouse Gallery
  July 21, 2017 · Dillon Raborn
• Back to Reality
  July 19, 2017 · Brooke Sauvage
• On His Trail: Jacob Dwyer’s “DAT LIKWID LAND”
  July 17, 2017 · Benjamin Morris
• Interruption and Discovery: Sidonie Villere at Jonathan Ferrara Gallery
  July 14, 2017 · Anna Mecugni
• Get on Our Level: The Founding of Level Artist Collective
  July 10, 2017 · Ashley L. Voss
• Flipping the Script: Brent Houzenga Takes a New Approach
  July 6, 2017 · Christy Lorio
• She’s Alive
  July 3, 2017 · Momma Tried
• Laura Palmer Lives: “A David Lynch-Inspired Group Show” at Arrow Cafe
  June 26, 2017 · Brooke Sauvage
• The Importance of Context: “Inner Journeys” at the New Orleans Museum of Art
  June 23, 2017 · Marjorie Rawle
• An Un-Memorial to All That Has Been Lost: Cecilia Vicuña’s Precarious Assemblages
  June 21, 2017 · John Pluecker
• Exhibition Pick: “Beyond the Canvas: Contemporary Art from Puerto Rico”
  June 20, 2017 · Charlie Tatum
• Set in the Form of an “S”: Dances for Solidarity in New Orleans
  June 16, 2017 · Anna Mecugni
• Our Unofficial Mascot: An Interview with Tower Fantasy
  June 12, 2017 · Charlie Tatum
• Space Is the Place
  June 9, 2017 · Tower Fantasy
• A Haunting Mythology: “Atlanta Ladies Memorial Association” at the Zimmerli Art Museum
  June 7, 2017 · Dillon Raborn
• The Color of the Resistance: Aaron McNamee at Good Children Gallery
  June 5, 2017 · Ann Hackett
• American Myths: The Paintings of Celeste Dupuy-Spencer
  June 2, 2017 · Hyunjee Nicole Kim
• Altering the Everyday: An Interview with Zarouhie Abdalian
  June 1, 2017 · Charlie Tatum
• Exhibition Pick: Philip Gould
  May 29, 2017 · Ashley L. Voss
• Improved Techniques
  May 26, 2017 · Carolyn Lazard
• Every Drop of Blood: Healing Trauma Through Art
  May 25, 2017 · Denise Frazier
• A Reading of Grief
  May 24, 2017 · Taylor Murrow
• The Plight of the Bees: Esther Solondz at the Audubon Zoo
  May 23, 2017 · Brooke Sauvage
• Empathy and Authenticity: Corinne May Botz’s “Bedside Manner”
  May 18, 2017 · Ashley L. Voss
• For Advanced Souls: Rhonda Wheatley at the Hyde Park Art Center
  May 15, 2017 · Matt Morris
• Presence, Silence, Intimacy, Duration: Lygia Clark’s Relational Objects
  May 10, 2017 · Adrian Anagnost
• Temporary Gestures: Manon Bellet at Good Children Gallery
  May 8, 2017 · Charlie Tatum
• Tripwires
  May 4, 2017 · Jessica Morey-Collins
• Tools for Consciousness: An Interview with Martin Benson
  May 3, 2017 · Emily Wilkerson
• Present Absence
  May 2, 2017 · Salome Chasnoff, Meredith Zielke
• Queer Traces: Transnational Queer Underground’s #TheGalleryProject
  April 28, 2017 · Ben Miller
• Words on Wellness: A Selection of Poems
  April 24, 2017 · Benjamin Morris
• The Power of Movement: Senga Nengudi at the Contemporary Arts Center
  April 19, 2017 · Allison M. Glenn
• Healing and Care on Camera
  April 17, 2017 · Lexus Killingsworth
• Exhibition Pick: Luis Cruz Azaceta
  April 15, 2017 · Sarah Schacht
• Salon Style: Painters Painting Painters at NOCCA
  April 14, 2017 · Marjorie Rawle
• Alone and Together: Ann Hamilton at the University of Texas at Austin
  April 7, 2017 · Kate Green
• Toward an Architecture of Healing
  April 3, 2017 · Emily Nonko
• In the Cloud: Patrick Coll at The Front
  March 31, 2017 · Joseph Bradshaw
• Space and Silence: An Interview with Yumi Sakugawa
  March 29, 2017 · Ryan Lee Wong
• Editor’s Letter: Mutual Support
  March 27, 2017 · Cameron Shaw
• Perverse Americana: Carlton Scott Sturgill at Engine Room Art + Projects
  March 17, 2017 · Lauren Scarpello
• I’ll Meet You There: Ida Floreak at TEN Gallery
  March 10, 2017 · Ashley L. Voss
• Digital Arrangements: Jessica Bizer at Good Children Gallery
  March 6, 2017 · Marjorie Rawle
• Look Back at It: Rashaad Newsome at the Contemporary Arts Center
  February 22, 2017 · Allison M. Glenn
• Strange Abominations: “Something in the Way” at the New Orleans Museum of Art
  February 16, 2017 · Joseph Bradshaw
• I Want To Be Daring: Mickalene Thomas at Newcomb Art Museum
  February 14, 2017 · Charlie Tatum
• Image Universe: Will You Be My Valentine?
  February 8, 2017 · Staff
• An Invitation to Return: “Gomela” at Ashé Powerhouse Theater
  February 2, 2017 · Tina Orlandini
• Site, Specific: Dr. Charles Smith and the Archival Impulse
  January 30, 2017 · Allison M. Glenn
• Detective of the Impossible: Norah Lovell at Staple Goods
  January 26, 2017 · Joseph Bradshaw
• Truth in a Portrait: Matthew Finley at Martine Chaisson Gallery
  January 24, 2017 · Ashley L. Voss
• Modern Mythology: Anastasia Pelias at Jonathan Ferrara Gallery
  January 20, 2017 · Laurence Ross
• Perpetual Evolution: An Interview with Delaney Martin
  January 18, 2017 · Claire Tancons
• Bringing Modern Architecture to New Orleans: The Legacy of Albert C. Ledner
  January 16, 2017 · Emily Nonko
• Dead Reckoning: The Waterways of Turner and Canaletto
  January 13, 2017 · Laurence Ross
• Writing History: Maude Schuyler Clay at the Ogden Museum of Southern Art
  January 12, 2017 · Benjamin Morris
• Messages from the Ocean: An Interview with Pam Longobardi
  January 11, 2017 · Karen Tauches
• Black Interiority: Notes on Architecture, Infrastructure, Environmental Justice, and Abstract Drawing
  January 9, 2017 · Torkwase Dyson
• New Harmony High: A Floating School for the Gulf Coast
  January 5, 2017 · Sarah Dupee
• An Abstract Feeling: Brooke Pickett at The Front
  January 4, 2017 · Taylor Murrow
• A New Vision for Water: Building the Gentilly Resilience District
  January 2, 2017 · Benjamin Morris